sing, sync, sink #2

performance, 2013

Performance at FADO, Toronto, Canada, 2013, Photo by Henry Chan. Performance at FADO, Toronto, Canada, 2013, Photo by Henry Chan. Performance at FADO, Toronto, Canada, 2013, Photo by Henry Chan. Performance at FADO, Toronto, Canada, 2013, Photo by Henry Chan. Performance at FADO, Toronto, Canada, 2013, Photo by Henry Chan. Performance at FADO, Toronto, Canada, 2013, Photo by Henry Chan. Performance at FADO, Toronto, Canada, 2013, Photo by Henry Chan. Performance at FADO, Toronto, Canada, 2013, Photo by Henry Chan. Performance at FADO, Toronto, Canada, 2013, Photo by Henry Chan. Performance at FADO, Toronto, Canada, 2013, Photo by Henry Chan. Performance at FADO, Toronto, Canada, 2013, Photo by Henry Chan. Performance at FADO, Toronto, Canada, 2013, Photo by Henry Chan. Performance at FADO, Toronto, Canada, 2013, Photo by Henry Chan. Performance at FADO, Toronto, Canada, 2013, Photo by Henry Chan. Performance at FADO, Toronto, Canada, 2013, Photo by Henry Chan. Performance at FADO, Toronto, Canada, 2013, Photo by Henry Chan. Performance at FADO, Toronto, Canada, 2013, Photo by Henry Chan. Performance at FADO, Toronto, Canada, 2013, Photo by Henry Chan. Performance at FADO, Toronto, Canada, 2013, Photo by Henry Chan. Performance at FADO, Toronto, Canada, 2013, Photo by Henry Chan. Performance at FADO, Toronto, Canada, 2013, Photo by Henry Chan. Performance at FADO, Toronto, Canada, 2013, Photo by Henry Chan. Performance at FADO, Toronto, Canada, 2013, Photo by Henry Chan. Performance at FADO, Toronto, Canada, 2013, Photo by Henry Chan. Performance at FADO, Toronto, Canada, 2013, Photo by Henry Chan. Performance at FADO, Toronto, Canada, 2013, Photo by Henry Chan.
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Performance at FADO, Toronto, Canada, 2013, Photo by Henry Chan.

In an empty lighted space a sound recording device connected to a microphone-stand is waiting.  I position several objects, starting with a large cardboard box and one by one I take other objects out of the same box: a bucket of water, a bottle of water and a glass.  I turn on the recorder and do an action with each object in line and turn off the recorder.  Next I play the recorded sound in the space in a continues loop and position myself behind the object at the moment of the specific sound of the object is playing.  The following is that I change the order of the objects, which disconnects the sound of the original object and reconnects it with one of the other objects.  The performance can be experienced as a visual-musical score, in which there is the excitement of being in and out of sync and objects getting worn out. This performance is presented 3 times in 2013 at Le Sud a small stage in Rotterdam South by Lies Klaus & Gilbert van Drunen, FADO Performance Art Center in Toronto by Shannon Cochrane and Performance+ in Zwolle.